Denver Post, Denver, CO (February 6, 2009)
The Denver Art Museum recently employed a controversial new method
called ‘fractional deaccessioning’ to purchase an 1892 painting by
artist Thomas Eakins. In order to fund the purchase, the museum gave
Denver collector and billionaire Philip Anschutz 50 percent ownership
of the piece, in return for a monetary donation, as well as 50
percent ownership in an important piece already in the museum’s
collection, Charles Deas’ “Long Jakes.” The deal has drawn
attention, particularly since it suggests that items in a museum
collection could be sold to wealthy individuals for the right price.
The museum’s director Lewis Sharp has argued that the museum could
not afford to purchase Eakin’s work without fractional
deaccessioning. Two committees from the Association of Art Museum
Directors have conducted a review of the transaction and the
organization’s board released a statement strongly discouraging
member museums from using the same method to grow their collections.
Sharp’s own statements have wavered on the topic, at first
suggesting he would use this method again if need be and later
stating the opposite. http://www.denverpost.com/headlines/ci_11639503?
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