Art casualties from Tibet to Cambodia find an eager market | Heritage Watch

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Art casualties from Tibet to Cambodia find an eager market

APRIL 5TH - Souren Melikian reported in the International Herald Tribune www.iht.com/articles/2008/03/28/arts/melik29.php on recent art sales.

In an excerpt she states "...Earlier in the sale, works of art from another Buddhist land devastated by 20th-century events, likewise offered without a provenance, made one wonder how it is that so few questions are asked about just how works of art of major importance, for which no government would ever issue an export license, come to tumble on to the market.

Do the temples of Cambodia, erected by the Khmers at the height of their culture between the 10th and 13th centuries, ring so few bells? The admirable sandstone figure of a woman carved in the 11th century in the style known from Banteay Srei and described as having been acquired in 1986 was missing its head, very neatly chopped off, and both feet. It looked suspiciously like those sculptures broken off in situ. However, that did not harm its commercial performance. It ascended to $361,000, nearly six times the estimate.

Next came a 12th-century bronze bodhisattva from the Angkor period. No provenance at all here, no date of acquisition. The 34 centimeter four-armed statue did not sell as easily. Whether this was due to the high estimate, $80,000 to $120,000, plus the sale charge, or to angst caused by the fear of possible problems in some distant future, when perhaps proof of precise provenance will have to be produced for transactions to proceed legitimately, is hard to tell. Even so, it brought $73,000.

The next piece, a 13th-century bronze figure of Ganesha seated on a pedestal cast in the Bayon style of Angkor Wat, happily exceeded its high estimate by half, climbing to $52,000. Here, the catalogue noted "Provenance. Hong Kong Collection, 1980s," implying that it passed through the Hong Kong trade in those years. Some "provenance."

And that is the story of the entire art market handling sculpture or objects dug up in Tibet, Nepal, Cambodia, Indonesia or even India, but less so in the latter case. India, now more powerful, has been able to tighten the screws on illicit digging.

Two days later, at Christie's, things differed only in nuances. A Khmer statue of the 11th century in the Baphuon style had surfaced in the market in 1968, two years before the Unesco cut-off line of 1970, after which goods of uncertain provenance are deemed less kosher. At $2.11 million, it now holds the world record for Khmer sculpture. How nice!"

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"...the most effective measure now would be to sign more bilateral agreements with countries that are under assault from the antiquities trade..." - Roger Atwood.

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